Heritage Art Collection

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39 results. Displaying results 1 - 39.

Name/title	Maker	Production date	Description
Untitled (Dunedin View)	O'Brien, George (b.1821, d.1888)	19th Century	Oval watercolour - picturesque landscape view of a path through a wooded area; water visible on the horizon.
Oamaru from Pukeuri Hill	O'Brien, George (b.1821, d.1888)	1872	An early O'Brien of a panoramic view across from Pukeuri Hill in 1872. Painted prior to the construction of the breakwater and the farming boom of the 1880s, the painting depicts a well ordered and tranquil rural scene with the small but growing Oamaru nestling in the lee of Cape Wanbrow. Three sailing ships are moored at the roadstead.
Untitled (view of Oamaru from artist's Lune Street residence c. 1878)	Gifford, Edward Augustus (b.1819, d.1894)	1878	Watercolour panoramic view of the town of Oamaru c. 1878 from a Lune Street residence on the South Hill.
Breakers at Oamaru 1885	Gifford, Edward Augustus (b.1819, d.1894)	1885	Oil seascape including view of Cape Wanbrow and early breakwater.
The Parsonage, Oamaru (sundown, Mt. Domett, in the distance)	Gifford, Edward Augustus (b.1819, d.1894)	Circa 1870	Watercolour painting of the parsonage, Oamaru, with Mt. Domett in the distance. In the foreground are the then undeveloped Oamaru Gardens, to the left is the railway incline and Isis Street while to the right is the parsonage - possibly in the Glebe - which at that time was the residence of the artist's brother Algernon.
Portrait of T.W. Parker	Gifford, Edward Augustus (b.1819, d.1894)	1881	Large portrait of Thomas Windle Parker, Seated figure; male; Oil on canvas; Resident Magistrate at Oamaru from 1861 to 1881; Oamaru
Grandmaster of Waitaki Lodge	Buick, May Wilson (b.1882, d.1963)	1904	Three-quarter-length view portrait in oil of Freemason, the Grandmaster of Waitaki Lodge, number 1111.
Moeraki from Hull's Bush	Bollard, William Allen (b.1869, d.1941)	1907	Oil painting of Moeraki landscape. Believed to have been commissioned by Alfred Hull of Moeraki, who probably owned the area of bush depicted in the work (later to become known as "Bradford's Bush").
"Wonderland" - Oamaru Gardens, N.Z.	Chance, George (b.1885, d.1963)	1926	Black and white (sepia) photograph of bronze statue "Wonderland" in Oamaru Gardens. Flowers. Wonderland sculpture
Untitled (Seated woman)	Eadie, William	1870?	Oil painting in Dutch realist style of domestic scene - woman sitting by stove, knitting.
Untitled (Mountain View and Stream)	Glass, Amos (b.1885, d.1964)		Watercolour landscape painting of mountains and stream.
Waggons on the Dunstan Road (An Evening effect from the Naseby Track)	Hodgkins, William Mathew (b.1839, d.1898)	1875	Watercolour landscape painting of two figures on horseback on the Dunstan Track, near Naseby.
Oamaru Harbour Looking South	Gifford, Edward Augustus (b.1819, d.1894)	1880	Watercolour painting of Oamaru harbour and Cape Wanbrow looking south c. 1880.
Untitled (Sailing Ships off Kaikoura Coast)	Gifford, Edward Augustus (b.1819, d.1894)	Unknown	Watercolour painting of sailing ships near Kaikoura.
The Stormcloud - Bushey Beach	Glass, Amos (b.1885, d.1964)	Circa 1914	Watercolour landscape painting of Bushey Beach.
The Old Oamaru Windmill	Veitch, John Charles (b.1853, d.1939)		Oil landscape painting of old windmill on Lune Street, Oamaru, looking west.
Untitled (Cows in a Landscape)	van der Velden, Petrus (b.1837, d.1913)	1910s	Watercolour landscape painting with two cows.
Still Life, Green and Brown Vases of Flowers	Stoddart, Margaret Olrog (b.1865, d.1934)	Unknown	Watercolour still life painting of two vases of flowers.
Still Life, Violets and Jonquils in Three Bowls	Stoddart, Margaret Olrog (b.1865, d.1934)	Unknown	Watercolour still life painting of three bowls of flowers.
House in a Summer Garden	Stoddart, Margaret Olrog (b.1865, d.1934)	1928	Typifying Margaret Stoddart's garden works, House in a Summer Garden is either of a hill property near Margaret’s own home at 15 Hackthorne Road, Cashmere, where she lived from 1912, or on Clifton Hill where she often painted in the 1920s. Like many of her garden paintings it is colourful. The mass of colour is built up in vigorous broad strokes over an underlying structure of wet washes, dissolving one into the other. The house is almost buried behind a cascade of brilliantly coloured blooms. The garden subject provided Stoddart with not only the opportunity to explore the growth of introduced domestic plants which contrasted strongly with native flora, but also to vent her robust colour sense.